ABSTRACT

This book examines the role of community filmmaking in society and its connection with issues of cultural diversity, innovation, policy and practice in various places. Deploying a range of examples from Europe, North America, Australia and Hong Kong, the chapters show that film emerging from outside the mainstream film industries and within community contexts can lead to innovation in terms of both content and processes and a better representation of the cultural diversity of a range of communities and places. The book aims to situate the community filmmaker as the central node in the complex network of relationships between diverse communities, funding bodies, policy and the film industries.

chapter 1|20 pages

Community Filmmaking Diversity, Practices and Places

An Introduction

part I|5 pages

Diversity, Representation and Community Filmmaking – a Short Introduction

chapter 2|24 pages

Digital Stories, Participatory Practices and Life/Britain in a Day

Framing Creativity and Debating Diversity
Contributor(s):Daniel Ashton

chapter 4|17 pages

Representing Scottish Communities on Screen

Contributor(s):Alistair Scott

part II|21 pages

Networks and Intermediaries in Community Filmmaking – a Short Introduction

chapter 5|21 pages

52 Tuesdays

Community Filmmaking in a Global Context
Contributor(s):Virginia MurrayKath Dooley

chapter 7|17 pages

Community Media as Social Innovation

Transformation, Agency and Value

part III|6 pages

Community Filmmaking

chapter 8|24 pages

Surfing Multiple Tides

Opportunities and Challenges for Contemporary British and German Community Filmmakers
Contributor(s):Daniel H. Mutibwa

chapter 10|18 pages

Rewalking the Path

Community Video, Deep Cultural Mapping and Sustainable Canadian Cities
Contributor(s):Sharon Karsten

part IV|4 pages

Engagement and Participation in Community Filmmaking – a Short Introduction

chapter 11|23 pages

Heaven Is a Place

The Politics and Poetics of LGBT Location in a Community Dance Film

chapter 12|16 pages

‘One screening away from disaster’

Precarity and Commitment in the Radical Film Network’s Community Exhibition Sector
Contributor(s):Steve Presence

chapter 13|19 pages

The Filmmakers of Tomorrow or the Problems of Today

Creativity, Skills and Cultural Identity in British Youth Filmmaking
Contributor(s):Alicia Blum-Ross

chapter 14|18 pages

“Can we fast forward to the good bits?”

Working with Film: Revisiting the Field of Practice
Contributor(s):Kate PahlSteve Pool

chapter |5 pages

Conclusion

Embracing the Complexity of Community Filmmaking and Diversity